|
? - (The Best Of) New Order
London
November 1994
|
2x |
UK |
1994 |
( London Records 90 Ltd 828580.1 ) |
|
CA |
1994 |
( Polygram 422 828 580-4 ) |
|
JP |
1994 |
( Polydor
K.K. POCD-1157)[Promo Pink Sleeve] |
|
UK |
1994 |
( London Records )[Promo] |
|
UK |
1994 |
( London Records 90 Ltd 828580.4 ) |
|
AU |
1994 |
( Polydor 828580.2 ) [ Ld
Ed. with
a T-shirt with the blue"?" ] |
|
CA |
1994 |
( Polygram 422 828 580-2 ) |
|
IS |
1994 |
(
London
8285802 )[CD made in Israel] |
|
JP |
1994 |
( Polydor K.K. POCD-1157 ) |
|
SA |
1994 |
( London/Centredate co Ltd STARCD 6152 ) |
|
TW |
1994 |
( London 3984 28228 2 ) |
|
UK |
1994 |
( London Records 90 Ltd 828580.2 ) |
True Faith-94
Bizarre Love Triangle-94
1963-94
Regret
Fine Time
The Perfect Kiss
Shellshock
Thieves Like Us
Vanishing Point
Run 2
Round & Round-94
World (The Price of Love)
Ruined In A Day
Touched By The Hand of God
Blue Monday 1988
World In Motion
|
US |
1995 |
( Qwest/Warner
Bros. 9 45794 - 4 )[ Released in US 03/14/95] |
|
US |
1995 |
( Qwest/Warner Bros. 9 45794 - A )[ No P.S.
advance Promo ] |
|
US |
1995 |
( Qwest/Warner Bros. 9 45794 - 2 ) |
Let's Go (Nothing For Me)
Dreams Never End
Age of Consent
Love Vigilantes
True Faith-94
Bizarre Love Triangle
1963-95
Fine Time
Vanishing Point
Run
Round & Round-94
Regret
World (The Price of Love)
Ruined In A Day
Touched By The Hand of God
Blue Monday 1988
World In Motion
QWEST
03/95
BEST OF NEW ORDER FEATURES RARE TRACKS, REMIXES, B-SIDES AND MORE
FROM PIONEERING BAND
(the best of) New Order, a collection of 17 rare
and historic tracks spanning the groundbreaking group's fifteen year career, is set for
release by Qwest / Warner Bros Records on March 15. The compilation comprises a treasure
trove of New Order music, including new versions and remixes of classic cuts, singles
never before released in album format, recent hits and fan favorites. Among the
highlights: Arthur Baker remixes of two rare New Order, "1963" and "Let's
Go."
-
New Order -- comprised of Bernard Sumner, Peter Hook, Gillian Gilbert and Stephen
Morris -- is among a handful of groups that defined the alternative era in modern music.
Formed in 1980 from remnants of the pioneering Manchester, UK group Joy Division, New
Order has gone on to create a vital and vastly influential body of work and in the process
garnered a fervent following on both sides of the Atlantic.
-
-
(the best of) New Order is an essential chronicle of their
career to date and is a perfect companion to their 1987 multi-platinum singles collection,
Substance. Barring the remixed material, (the best of) New Order
has no tracks in common with Substance and includes many others not found on a
recently-released UK best-of collection. "We really consider this a stand-alone
album," remarked Kevin Laffey, Warner Bros. Records Director of A&R, who worked
with the band in the selection process for this collection. "We were really
interested in making an artistic statement as much as a commercial one and we drew from a
number of sources, including the band itself and their fans, in deciding what to
interlude. I think the results speak for themselves."
-
-
For a sampling of tracks considered key by the group's worldwide fan base, an
Internet Reader's Poll in the New Order fanzine noise was consulted. Six of the
poll's Top Ten selections made the album, including "Bizarre Love Triangle"
(recently a hit for the Australian band Frente! and represented here by a rare Shep
Pettibone remix); a 1994 Stephen Hague remix of "Round & Round," originally
found on the album Technique; "Blue Monday '88' (never before released on an
album); as well as the songs "Regret," "Vanishing Point" and a Stephen
Hague remix of "True Faith."
-
Among the many standout tracks on (the best of) New
Order is the abovementioned "Let's Go," remixed by Arthur Baker.
The famed producer's association with New Order stretches back to the early Eighties.
"I'd been doing some work in the electro hip-hop field," Baker explains,
"and they sent me a copy of their album Power, Corruption & Lies. I
really loved what I heard, especially the track '5 8 6,' which later became the basis for
their hit 'Blue Monday.' Eventually I did a couple of cuts with them."
-
Four years later, Baker and the band's paths crossed again when they both found
themselves contributing material for the soundtrack to the film Salvation.
"They had an instrumental called 'Let's Go' that really knocked me out," Baker
recounts, "and I suggested we go in and add a vocal track. Bernard and I wrote the
lyrics and at the time we were both going through relationship break-ups, which I guess
accounts for the bitter edge to the words. Bernard sang the song, but nothing really came
of it."
-
-
Nothing, that is, until the summer of 1994, when work on (the best of)
New Order got underway. Arthur Baker: "I heard they were doing a
compilation and I suggested they reconsider 'Let's Go,' always one of my favorite New
Order cuts. The original vocal track needed some work, so Bernard and I rewrote a verse as
well as putting in a new guitar part and adding some sampling and reprogramming. It was
great to finally see that song come full circle and take its rightful place in the New
Order canon."
-
-
Another notable addition to (the best of) New Order tune stack is "Dreams Never End," the first official New Order recording
following the demise of Joy Division featuring a rare Peter Hook vocal. The compilation
also includes two tracks never before heard on any album: "Touched By The Hand Of
God," also taken from the soundtrack to Salvation (and originally mixed by
Arthur Baker) and "World In Motion," recorded for the televised broadcast of the
1990 World Cup Soccer finals. Band favorites include "Run," which was the
subject of an acclaimed Robert Frank video.
-
-
Rounding out (the best of) New Order are the selections:
"Age of Consent," from the album Power, Corruption & Lies;
"Love Vigilantes" from Low-Life; a single edit of the Technique
track "Fine Time"; plus an EP version of "Run," as well as the singles
"World" and "Ruined In A Day" from the album Republic.
-
-
"New Order occupies an important place in the music history of our time,"
Kevin Laffey concludes. "They are a band that has inspired countless others while at
the same time making music that really stretched creative and expressive boundaries. The
group's extraordinary and prolific output is given a whole new focus on this
collection."
© 1995 Qwest
|