NEW ORDER
DISCOGRAPHY
COMPILATIONS 1990 -
1999
|
CUTTING EDGE
1990
|
|
US |
1990 |
( EXL-4229 ) |
|
US |
1996 |
( RPD-4029 ) |
5 : 55 True Faith
-
Various Artists
|
MARTIN
August 1991
|
|
UK |
1991 |
( Factory FACT 325 )[Sleeve issued with
paper sash, known as an 'obi] |
|
UK |
1991 |
( Factory FACT 325C ) [Issued in a special
wrapper] |
|
UK |
1991 |
( Factory FACD 325 ) |
5 : 30 Everything's
Gone Green
- A compilation of the work of Martin Hannett, with liner notes by C.P.
Lee.
C.P.Lee liners notes:
this collection is a sample of the work of record producer martin
Hannett from his early work with the buzzcocks until his death in April 1991.
martin, as a producer, was the mastermind behind the sound of joy division,
and his influential production skills were employed by many of todays major bands.
in later life he produced the stone roses and happy mondays, giving the
latter their first hit: wrote for luck. the final tracks on the
album represent some of his more recent work before his death at the age of 41.
the proceeds of this album go to his family.
|
VOLUME ONE
October 1991
|
|
UK |
1991 |
( World's End Limited/A.P.T. V1CD ) |
5 : 35 Confusion
(remix)*
* remixed by Dimitri for Dance Music Club (DMC) previously
available to members of DMC.
|
Palatine - Factory 1977-1990
Factory
November 1991
|
4X |
UK |
1991 |
( Factory
FACT 400 )[WLTP With Promo Sheet] |
4X |
UK |
1991 |
( Factory FACT 400 ) |
4X |
CA |
1991 |
( Polygram 520 000-4 ) |
4X |
UK |
1991 |
( Factory FACT 400 )
|
4X |
AU |
1991 |
( Factory/Festival FACT 400 ) |
4X |
JP |
1991 |
( POCD –
1074/7 )[With Obi + Lyrics] |
4X |
JP |
1991 |
( POCD –
1074/7 )[Promo With Obi + Lyrics][Inner Ring " Sample "] |
4X |
UK |
1991 |
( Factory FACD 400 ) [promo Limited Version of
75] |
4X |
UK |
1991 |
( Factory FACD 400 ) |
|
Vol 1 1979-1982 Tears In Their
Eyes
( Factory FACT 314/FACD 314/FACT 314c )
4 : 25 Ceremony |
|
Vol 2 1981-1986 Life's A Beach
( Factory FACT 324/FACD 324/FACT 324c )
7 : 18 The Beach / 4 : 42 Confusion (5/87 version) |
|
Vol 3 1979-1989 The Beat Groups
( Factory FACT 334/FACD 334/FACT 334c )
5 : 15 Age of Consent |
|
Vol 4 1987-1990 Selling Out
( Factory FACT 344/FACD 344/FACT 344c )
5 : 55 True Faith / 4 : 31 World in Motion...... |
- Photography by Kevin Cummins, Gred Murray, and Peter Walsh.
- Various Factory Artists. Boxed set consisting of
Fact 314/324/334/344 & 36 pages color booklet.
|
|
|
|
|
Japan |
UK
WLTP |
|
|
|
|
THE PERFECTO ALBUM
1994
|
|
UK |
1994 |
( East West 4509-98131-2 ) |
7 : 34 World
(Perfecto Mix)
|
LOST MIXES
JCD
1994
|
|
US |
1994 |
( JCD-3117 ) |
6 : 58 Blue Monday (12 Mix)
|
UK |
1994 |
( London LPCD-1 )[Promo] |
True Faith 94
True Faith 94 (Perfecto Mix)
|
911
1994
|
|
US |
1994 |
(
CD2 ) |
7 : 13 TBTHOG
- Various
artists.
|
THE HACIENDA PLAY BY 01/96
London
1995
|
2x |
UK |
1995 |
( London 540441-2 ) |
2x |
UK |
1995 |
( London 540444-2 )[LIMITED
EDITION] |
1963
- Various
artists mixed by Graeme Park.
|
MONSTROSITY
1995
|
|
US |
1995 |
( HT 026 ) |
Let’s Go (Nothing For Me)
- Various
Artists
|
PLATINUM ON BLACK VOL.II
FFRR
1995
|
|
US |
1995 |
( FFRR 667-124 075-2 ) |
6 :
03 BLT (Armand Van Helden Mix)
-
Various artists.
2x |
UK |
1995 |
( BOV CD1 ) |
5 : 35 Confusion (remix)*
* remixed by Dimitri for
Dance Music Club (DMC) previously available to members of DMC.
|
MADCHESTER
1995
|
|
UK |
1995 |
( MADC CD 1 ) |
True Faith
BLT
|
|
|
|
Back Sleeve |
|
|
|
|
CREAM LIVE
Deconstruction
April 24th, 1995
|
2x |
UK |
1995 |
(
Deconstruction 74321 27219 2 ) |
True Faith
(Remixed by Tall Paul)
-
Various Artists
|
VOLUME 15
November 1995
|
|
UK |
1995 |
( World's
End Ltd. 15VCD15 )[Sample] |
2X |
UK |
1995 |
( World's End Ltd. 15VCD15 ) |
5 : 55 Everything's
Gone Green (advent remix)
|
FROM MANCHESTER WITH LOVE.
NET
1995
|
2X |
UK |
1995 |
( Love.net L NET4CD ) |
7 : 26 Blue Monday
(Richie Hawtin mix)
|
GR |
1996 |
( Polygram 308-2 ) |
Ruined In A Day
-
Various Artists
|
THE BEAUTIFUL GAME
June 1996
|
|
UK |
1996 |
( BMG 74321382082 ) |
4 : 56 World In
Motion 96 (Remix)
- The official album of Euro 96.
- Various Artists.
|
POP & WAVE Vol.7
Sony
1997
|
2x |
GE |
1997 |
( Sony 487589 2 ) |
True Faith
|
INDUSTRIAL VIRUS
Dressed To Kill
1997
|
3x |
UK |
1997 |
( Dressed To Kill DTKBOX61 ) |
3 : 43 Evil Dust (exclusive remix)
|
JP |
1997 |
( KTO 523 ) |
BLT
-
Various Artists
|
THE BEST OF HARDFLOOR
EYE
1997
|
2x |
UK |
1997 |
( EYEUKCD015 ) |
Blue Monday (Hardfloor
Remix)
-
Various Artists
|
WIRED
PolyGram
1997
|
2x |
UK |
1995 |
( Polygram
TV 553 257-2 ) |
Blue Monday
(Hardfloor mix Edit)
- Various Artists including
Electronic.
|
TOUCH SAMPLER
January 1997
|
|
UK |
1997 |
( Touch T_ZERO_2 ) |
6 : 57 Video 586
- Various artists.
- Much ahead of its time, a 23 minute track recorded for the opening of the
Hacienda in Manchester in 1982, and a blueprint for "Blue Monday": it was
published in 2 parts on the first Touch release, Feature Mist. This is the missing
middle section.
|
Too Young To Know, Too Wild To
Care
March 1997
|
|
UK |
1997 |
( London Records 90 LTD 828 700.2 ) |
5 : 13 Age of
Consent
3X |
UK |
1997 |
( BMG 74321 48655 2 ) [Included booklet
Hacienda story] |
Confusion
- Various Artists.
|
DIFFERENT COLOURS,
DIFFERENT SHADES
London
September 1997
|
|
UK |
1997 |
( London Records 90 LTD 828 897.2 FACT 2.40 ) |
Everything's Gone Green
- Various Factory Artists.
- THE FACTORY STORY PART TWO
1978-1992"
|
AND HERE IS THE YOUNG MAN
Debutante
April 1998
|
|
UK |
1998 |
( Debutante 555 976-2 ) |
4
: 25 Ceremony
- Martin Hannett Productions 1978-1991.
- Various Artists (U2, Joy Division, Happy Mondays, World Of Twist, The High
..)
- With liners note by Anthony H. Wilson and Jon Savage.
- Also included An Interview With Martin Hannett, 29Th May 1989 by Jon Savage
(Originally published in "Vagabond 1")
Anthony H. Wilson liners note:
Martin
telling me that for every great leap forward in rock 'n' roll that i could name, he would
tell me the new piece of technology, the studio location and the genius engineer/producer
who at the very same moment changed forever what we hear and what we play. and
he then named every single one.
Martin taking his place in that role of honour in
cargo, strawberry and britannia row with those arps and his beloved amd digital delay;
changing forever the way we hear music.
Martin explaining that in factory acquiring a
jaguar, i was about to come face to face with one of the triumphs of british engineering.
not the car, the ashtrays. he was right. of course.
they are miraculous. on being asked, he explained succinctly and
amusingly how the heavy oil and thick plastic bag creates a truly sexual hinge.
he always knew everything.
Martin insisting every day on taking the (longer)
pulaski skyway route from manhatten to the studio in east orange, new jersey, as we
recorded acr, new order and e.s.g. he felt so at home; it was just like
trafford park, manchester's then decaying industrial estate. he loved trafford
park. he loved industrial decay; maybe he even loved his own decay.
Martin sitting in a darkened room with a revolver
nestling in his hands while he explained to the film makers how he created factory records
- "found a talking head for a front man."
Martin inspiring one of the earliest flights of
shaun ryder's verbal genius. the first verse of the monday's "tart
tart" tells the painful story of the split between martin and his factory partners
with all the economy of a james joyce short story; "...with hands ... held out ..palm
up...". shaun didn't even know him them - barney had just told him the
stories and he made it up from there. and in eight lines caught the whole
******* thing.
Martin, years later, working so closely with the
boys in the driffield studio, taking on board the house beats drifting from the darkened
pool room, and creating more beauty and changing things yet again.
Martin, near the end, appearing in a new fads video
being wheeled around the dance floor of the hacienda in a shopping trolley, by now
grotesquely overweight, head lolling, for all the world like falstaff being driven in
state round a cheapside tavern.
and the coffin; such a big coffin. such
a big man. changed my life. changed lots of lives.
anthony h wilson.
|
JBO A PERSPECTIVE
1988-1998
JNR
1998
|
2x |
UK |
1998 |
( JNR 1001782 ) |
Everything’s
Gone Green
-
Various Artists
-
New Order photo inside by Kevin Cummins.
|
CREAM CUTS
Polygram
1998
|
|
UK |
1998 |
(
PSPCD496 ) |
Fine Time
-
Various Artists
- Promo Compilation "The Cream Of
Manchester"
|
POSTPUNK CHRONICLES
Rhino
January 1999
|
|
US |
1999 |
( Rhino R2 75333 ) |
Ceremony
-
Various Artists
-
Left Of The Dial
|
BREAKDANCE
Cold Front
January 1999
|
|
US |
1999 |
( Cold Front 6457-2 ) |
Confusion (Original)
-
Various Artists
|
Counter Clockwise
Nebula Records
October 1999
|
|
US |
1999 |
( Nebula Records NBCD101999 ) |
4:08
Temptation 98
-
Various Artists
|